Miranda, Eduardo Reck


De los orígenes de la música a la vida artificial (From the origins of music to Artificial Life)

In Miranda, Eduardo Reck (ed.) Música y nuevas tecnologías: Perspectivas para el siglo XXI (Music and New Technologies: Perspectives for the 21st Century). Barcelona: L'Angelot.

Language(s): Spanish


Automated Composition Generative Music Mapping


In this chapter, the author investigates the possibility of using computer models and simulations to study the origins and evolution of music in silicon. The author introduces a proof of concept simulation whereby a group of software agents develop a short vocabulary of intonations from scratch by imitating each other.

Abstract translation(s):


Miranda, Eduardo Reck (1999). De los orígenes de la música a la vida artificial

All references of the same author:


Miranda, Eduardo Reck (1994). From Symbols to Sound: AI-based Investigation of Sound Synthesis
Miranda, Eduardo Reck (1994). The Role of Artificial Intelligence in Computer Aided Sound Composition
Miranda, Eduardo Reck (1998). The Role of Speech Synthesis in Requiem per un veu perdida
Miranda, Eduardo Reck (1999c). Music, Machines, Intelligence and the Brain
Miranda, Eduardo Reck (2001). Composers and Computer Music Technology in Brazil
Miranda, Eduardo Reck (2005). Artificial Phonology: Disembodied Humanoid Voice for Composing Music with Surreal Languages