Hannemann, Beate


Tod dem Mondschein (Death of the moonlight)

Musik & Bildung, Heft 3: 30-37.

Language(s): German


Found Sound Impact of Electroacoustic Music


The theme of this article is the early phase of Italian Futurism (1909-1915). Futurism’s founder, F. Marinetti is introduced alongside conceptual foundation and artistic declarations found in the futurist Manifestos. The influence of Futurism on 20th century music, particularly ‘New Music’ and the avant-garde, forms a focus. Futurist works and Futurist-influenced composers are briefly analysed.

Abstract translation(s):


Hannemann, Beate (1999). Tod dem Mondschein