Language(s): German

Keyword(s):

Computing ,  Formalism ,  Electronic Music

Abstract:

In this article Koenig introduces the theoretical development and implimentation of his programs PR1, PR1X, PR1XXM and PR2 used to assist the formalisation of the act of composition. The programs’ intention and applicability are described and supported by way of examples.

Abstract translation(s):

(Deutsch)

Koenig, Gottfried Michael (1979). Projekt Eins - Modell und Wirklichkeit

All references of the same author:

(English)

Koenig, Gottfried Michael (1967). Notes on the Computer in Music
Koenig, Gottfried Michaël (1972). Studium im Studio (1959)
Koenig, Gottfried Michael (1978). My Experiences with Programmed Music
KOENIG, Gottfried Michael (1983). Integrazione estetica di partiture composte mediante elaboratore - Segmente 99-105 (Aesthetic integration of scores realised with a computer - Segmente 99-105
Koenig, Gottfried Michael (1987). Genesis of Form in Technically Conditioned Environments
KOENIG, Gottfried Michael (1998). Studium im studio (1959)

(Français)

Koenig, Gottfried Michaël (1972). Studium im Studio (1959)

(Italiano)

KOENIG, Gottfried Michael (1983). Integrazione estetica di partiture composte mediante elaboratore - Segmente 99-105
KOENIG, Gottfried Michael (1998). Studium im studio (1959)