Language(s): French

Keyword(s):

Acousmatic ,  Loudspeaker Orchestra ,  Sound Projection ,  Stereophonic

Abstract:

In the first part of this article, Denis Dufour explains the relationship between the composer and performer/interpreter of his/her work: the choice of work, the guide for the performer/interpreter and the choice of acousmonium (loudspeaker setup). He also discusses his preference for a spatialised stereophonic loudspeaker setup in comparison to multitrack diffusion, and relates his experiences of a concert in which two acousmoniums were used for his piece Chant de la plus haute tour. In the second part, Jonathan Prager, a performer/interpreter, explains his working method.

Abstract translation(s):

(français)

Dufour, Denis, Prager, Jonathan, Baudoux, Roald (2002). Interview Denis Dufour et Jonathan Prager (1/2)

All references of the same author:

(English)

Dufour, Denis, Prager, Jonathan, Baudoux, Roald (1991). Les espaces de l'extase

(Français)

Dufour, Denis, Prager, Jonathan, Baudoux, Roald (1991). Les espaces de l'extase