URL: http://www.musiques-recherches.be/edition.php?lng=fr&id=110

Language(s): French

Keyword(s):

Musique Concrète ,  Analysis ,  Gesture ,  Visual Representation ,  Causality ,  Electroacoustic Music ,  Electronic Music

Abstract:

Firstly, the author discusses the inspiration for his work, La Noche en que los peces flotaron provided by Theodor Adorno’s philosophy; in particular, the concept of dialectics. He then analyses the work, identifying sound origins and the progression of materials. The author presents a visual representation of the work and explains his method for adapting the sonorities, the images and the gestures and organising his musical language.

Abstract translation(s):

(français)

Mandolini, Ricardo (2006). Musique informelle, musique électroacoustique : une convergence insoupçonnée ?