Language(s): French

Keyword(s):

Electroacoustic Devices ,  Analysis ,  Socio-Cultural Aspects of Electroacoustic Music

Abstract:

The author offers an overview of the GMEB (Groupe Experimental Music of Bourges) electroacoustic studio (Bourges - France), in which he discusses:
 The specifics of the GMEB’s approaches towards: composition, theory, and diffusion.
 The musical and theoretical relationships between the group and invited composers.
 The musical directions of the GMEB.

Abstract translation(s):

(français)

Clozier, Christian (1975). Le groupe de musique expérimentale de Bourges

All references of the same author:

(English)

Clozier, Christian (1978). Notes for a Criticism of Musical Economy: Prolegomena (Reflexion - References - propositions)
Clozier, Christian (1981). The Gmebaphone Sound Diffusion Instrument
Clozier, Christian (1995). The Aesthetic Situation and Outlook of Electroacoustic Music. Related Question: a Definition of Electroacoustic Music
Clozier, Christian (1996a). The aesthetic situation and outlook of electroacoustic music - Related question: a definition of electroacoustic music
Clozier, Christian (1996b). Analysis in Electroacoustic Music
Clozier, Christian (1998). Un instrument de diffusion : le gmebaphone
Clozier, Christian (2001). The Gmebaphone Concept and the Cybernéphone Instrument

(Français)

Clozier, Christian (1998). Un instrument de diffusion : le gmebaphone