Language(s): French

Keyword(s):

Music Education ,  Socio-Cultural Aspects of Electroacoustic Music ,  Electronic Music

Abstract:

The author discusses what was Yugoslavia’s only electronic studio at the time (ca.74-75), housed in the studios of radio Belgrade. He addresses:
 The advantages and disadvantages of its synthesizer: the Synthi 100.
 The working techniques of composers in the studio.
 Pedagogical activities.
 Diffusion: concert and radio broadcasts. Two documents complete this article: a list of works that were composed in the studio from 1972 to 1974 and a list of each module that was used in the Synthi 100.

Abstract translation(s):

(français)

Pignon, Paul (1975). Le studio électronique de radio Belgrade

All references of the same author:

(English)

Pignon, Paul (1978). A Philosophy of Music Systems - A Cybernetic Approach