Keyword(s):Music Education , Socio-Cultural Aspects of Electroacoustic Music , Electronic Music
The author discusses what was Yugoslavia’s only electronic studio at the time (ca.74-75), housed in the studios of radio Belgrade. He addresses:
The advantages and disadvantages of its synthesizer: the Synthi 100.
The working techniques of composers in the studio.
Diffusion: concert and radio broadcasts. Two documents complete this article: a list of works that were composed in the studio from 1972 to 1974 and a list of each module that was used in the Synthi 100.
Pignon, Paul (1975). Le studio électronique de radio Belgrade
All references of the same author:
(English)Pignon, Paul (1978). A Philosophy of Music Systems - A Cybernetic Approach