Language(s): English,  French

Keyword(s):

Socio-Cultural Aspects of Electroacoustic Music

Abstract:

The author analyses the function and the place of electroacoustic music in musical history and in society. He details relationships between issues of politics, economical diffusion, and composers. Each step and music element of a work is examined in order to propose a global model of music production.

All references of the same author:

(English)

Clozier, Christian (1975). Le groupe de musique expérimentale de Bourges
Clozier, Christian (1981). The Gmebaphone Sound Diffusion Instrument
Clozier, Christian (1995). The Aesthetic Situation and Outlook of Electroacoustic Music. Related Question: a Definition of Electroacoustic Music
Clozier, Christian (1996a). The aesthetic situation and outlook of electroacoustic music - Related question: a definition of electroacoustic music
Clozier, Christian (1996b). Analysis in Electroacoustic Music
Clozier, Christian (1998). Un instrument de diffusion : le gmebaphone
Clozier, Christian (2001). The Gmebaphone Concept and the Cybernéphone Instrument

(Français)

Clozier, Christian (1975). Le groupe de musique expérimentale de Bourges
Clozier, Christian (1998). Un instrument de diffusion : le gmebaphone