Keyword(s):Soundscape Studies , Hybrid Synthesis , Analysis , Structural Analysis , Computer Music
The author analyses Sud, an electroacoustic work by Jean-Claude Risset. This work, in three parts, plays with the ambiguity of sounds origins. The perception of the listener oscillates between natural and virtual soundscapes. The author presents a complete analysis of each part and details the different musical processes of the composer.
Gontcharoff, Paul (2001). Présentation générale et éléments d'analyse