Miranda, Eduardo Reck

2001

Composers and Computer Music Technology in Brazil

New Sound: No. 17. Belgrade: Union of Yugoslav Composer' Organizations: 13-26.

Language(s): English

Keyword(s):

Computing Interface Socio-Cultural Aspects of Electroacoustic Music Computer Music

Abstract:

This paper presents a brief survey of computer music in Brazil. After an introduction to computer music methods and types of software, the author offers a brief presentation of six composers and their works: Conrado Silva, Jorge Antunes, Aluízio Arcela, Didier Guigue, Edson Zampronha and James Correa. To conclude, he discusses approaches to computer music composition as they have shifted and developed across different generations of composers.

All references of the same author:

(English)

Miranda, Eduardo Reck (1994). From Symbols to Sound: AI-based Investigation of Sound Synthesis
Miranda, Eduardo Reck (1994). The Role of Artificial Intelligence in Computer Aided Sound Composition
Miranda, Eduardo Reck (1998). The Role of Speech Synthesis in Requiem per un veu perdida
Miranda, Eduardo Reck (1999a). De los orígenes de la música a la vida artificial (From the origins of music to Artificial Life)
Miranda, Eduardo Reck (1999c). Music, Machines, Intelligence and the Brain
Miranda, Eduardo Reck (2005). Artificial Phonology: Disembodied Humanoid Voice for Composing Music with Surreal Languages

(Español)

Miranda, Eduardo Reck (1999). De los orígenes de la música a la vida artificial