Meston, Olivier


Jean-Claude Risset et les nouvelles technologies musicales: l'ordinateur, maître-mot

New Sound: No. 21. Belgrade: Union of Yugoslav Composer' Organizations: 87-94.

Language(s): French


Synthesis and Resynthesis Techniques Analysis Computer Music Perception Psychoacoustics Auditory Illusion


The author explores the works of Jean-Claude Risset in order to analyse the role of the computer in musical processes. He discusses several of Risset’s compositional approaches (auditory illusion, synthesis, perception and psychoacoustics) and analyses their musical use within his works.