Language(s): French

Keyword(s):

Synthesis and Resynthesis Techniques ,  Analysis ,  Computer Music ,  Perception ,  Psychoacoustics ,  Auditory Illusion

Abstract:

The author explores the works of Jean-Claude Risset in order to analyse the role of the computer in musical processes. He discusses several of Risset’s compositional approaches (auditory illusion, synthesis, perception and psychoacoustics) and analyses their musical use within his works.