Lussac, Olivier


Peindre par les noms, peindre par les sons

Musica Falsa: No. 5. Paris: Musica Falsa: 40-42.

Language(s): French


Musique Concrète Mixing Recording Editing Sound Transformation Multimedia Text-sound Composition Radiophonics


This paper discusses three types of sound poetry: text-sound composition, intermedia performance/visual poetry, and text composition. The author observes how each type is linked to particular technologies (recording techniques, sound effects, diffusion, etc.). He also offers a historical overview of electroacoustic music, from the initial explorations in the1950s to more recent developments.

Abstract translation(s):


Lussac, Olivier (1998). Peindre par les noms, peindre par les sons