Language(s): French

Keyword(s):

Musique Concrète ,  Mixing ,  Recording ,  Editing ,  Sound Transformation ,  Multimedia ,  Text-sound Composition ,  Radiophonics

Abstract:

This paper discusses three types of sound poetry: text-sound composition, intermedia performance/visual poetry, and text composition. The author observes how each type is linked to particular technologies (recording techniques, sound effects, diffusion, etc.). He also offers a historical overview of electroacoustic music, from the initial explorations in the1950s to more recent developments.

Abstract translation(s):

(français)

Lussac, Olivier (1998). Peindre par les noms, peindre par les sons