XENAKIS, Iannis

1957

Le Corbusier's‚ Elektronisches Gedicht - Philips Pavillon der Brüsseler Weltausstellung, 1958 (Le Corbusier's Electronic Poem - For the Philips Pavilion at the Brussels World Exposition, 1958)

Gravesaner Blätter. No. 9, 1957: Mainz: Ars Viva Verlag: S. 43-50/51-54

Language(s): English,  German

Keyword(s):

Acoustics Spatialisation Interdisciplinary Artistic Work Multimedia

Abstract:

Xenakis describes the planning, concept and construction of Le Corbusier’s Electronic Poem (also the name of Varèse’s Poème Électronique that was composed to the space). Using a number of sketches and detailed descriptions the special architectonic and spatial characteristics of the pavilion are presented in which the components of light, colour, image, rhythm, sound and architecture were to be made not only accessible but also offer a sense of organic synthesis to the viewers.

Abstract translation(s):

(Deutsch)

XENAKIS, Iannis (1957). Le Corbusier's ‚Elektronisches Gedicht' (Philips Pavillon der Brüsseler Weltausstellung - 1958)

All references of the same author:

(Deutsch)

XENAKIS, Iannis (1958). Auf der Suche nach einer Stochastischen Musik
XENAKIS, Iannis (1960-1961). Grundlagen einer stochastischen Musik
XENAKIS, Iannis (1966). Zu einer Philosophie der Musik

(English)

XENAKIS, Iannis (1958). Auf der Suche nach einer Stochastischen Musik (In search of a stochastic Music)
Xenakis, Iannis (1959). Note sur un 'geste électronique'
XENAKIS, Iannis (1960/1961). Grundlagen einer stochastischen Musik (Elements of Stochastic Music)
XENAKIS, Iannis (1966). Zu einer Philosophie der Musik (Towards a philosophy of music)
Xenakis, Iannis (1981). Les chemins de la composition musicale
Xenakis, Iannis (1985). Music Composition Treks
Xenakis, Iannis (1987). Xenakis on Xenakis
Xenakis, Iannis (1996). Determinacy and Indeterminacy

(Français)

Xenakis, Iannis (1959). Note sur un 'geste électronique'
Xenakis, Iannis (1981). Les chemins de la composition musicale

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