URL: http://www.positionen-bznm.de/

Language(s): German

Keyword(s):

Live Electronics

Abstract:

Davies originally drafted a text in 1988 and completed its first version in 1993; Davies supported a 1996 version that was supplemented with the most recent activities by Nicolas Collins. Davies provides a detailed overview of the alternative new music scene in Holland in the 60s, in particular political activities against the then conservative establishment. This historical summary finally leads to the article’s focus, the alternative, today well-known STEIM (Studie voor elektro-instrumentale muziek) Amsterdam.

Abstract translation(s):

(Deutsch)

DAVIES, Hugh (1996). Elektroakustische Live-Performance. Zur Geschichte und Gegenwart des STEIM

All references of the same author:

(English)

Davies, Hugh (1964). A Discography of Electronic Music and Musique Concrète
Davies, Hugh (1966). A Discography of Electronic Music and Musique Concrète: Supplement
Davies, Hugh (1968). International Electronic Music Catalog
Davies, Hugh (1986). Storia ed evoluzione degli strumenti musicali elettronici (Historical evolution of electronic music instruments)
Davies, Hugh (1990). Instruments électroniques : classification et mécanismes
Davies, Hugh (1992). New Musical Instruments in the Computer Age: Amplified Performance Systems and Related Examples of Low-level Technology
Davies, Hugh (1996a). A History of Sampling
Davies, Hugh (2001). The Preservation of Electronic Musical Instruments
Davies, Hugh (2001a). Gentle Fire: An Early Approach to Live Electronic Music
Davies, Hugh (2003). Daphne Oram: Tribute to a Pioneer

(Français)

Davies, Hugh (1990). Instruments électroniques : classification et mécanismes

(Italiano)

Davies, Hugh (1986). Storia ed evoluzione degli strumenti musicali elettronici