Keyword(s):Discourse within Electroacoustic Music , Dramaturgy of Electroacoustic Music , Text-sound Composition , Sound Installation
In this article, the author discusses his sound installation The Calling to Come commissioned by the Museum of Sydney (Australia). The author describes the technique of scripting, the style of direction, and the use of environmental sound in the work. He also discusses the political implications of the work, and public reaction to the installation.
All references of the same author:
(English)Carter, Paul (2003). Auditing Acoustic Ecology