Keyword(s):Socio-Cultural Aspects of Electroacoustic Music
The history of electronic music composition, technologies and institutions is traced from the founding of the State of Israel in 1948. Core developments are followed beginning with the founding generation including Joseph Tal, Tzvi Avni and Yizhak Sadai, continuing with the second and third generations of musicians and researchers, living in Israel and the United States. The institutional and political dynamics of the field in this country are explored, with a focus on the challenges of building an audience and institutional support, as well as prospects for the future.
All references of the same author:
(English)Gluck, Robert J. (2005a). eSaz: A non-Western instrument in the context of a live electronic performance system
Gluck, Robert J. (2005b). Sounds of a Community: Cultural Identity and Interactive Art