In this paper, the author utilises his realisations of Alvin Lucier’s I’m Sitting in a Room and Karlheinz Stockhausen’s Mikrophonie I as case studies in support of his discussion concerning the creation of new, live versions of existing electroacoustic works.
All references of the same author:
(English)Burns, Christopher (2002a). Realizing Lucier and Stockhausen: Case Studies in the Performance Practice of Electroacoustic Music
Burns, Christopher (2002b). Tracing Compositional Process: Software Synthesis Code as Documentary Evidence
Burns, Christopher (2005). Compositional Strategies for Point-Source Spatialization