Language(s): English,  French

Keyword(s):

Genres and Categories [G&C]

Abstract:

Offering contextualising thoughts regarding the history of electroacoustic music, the roles of its institutions and its social impact, this article discusses the nature of electroacoustic music through an attempt to define the term itself.

All references of the same author:

(English)

Clozier, Christian (1975). Le groupe de musique expérimentale de Bourges
Clozier, Christian (1978). Notes for a Criticism of Musical Economy: Prolegomena (Reflexion - References - propositions)
Clozier, Christian (1981). The Gmebaphone Sound Diffusion Instrument
Clozier, Christian (1995). The Aesthetic Situation and Outlook of Electroacoustic Music. Related Question: a Definition of Electroacoustic Music
Clozier, Christian (1996b). Analysis in Electroacoustic Music
Clozier, Christian (1998). Un instrument de diffusion : le gmebaphone
Clozier, Christian (2001). The Gmebaphone Concept and the Cybernéphone Instrument

(Français)

Clozier, Christian (1975). Le groupe de musique expérimentale de Bourges
Clozier, Christian (1998). Un instrument de diffusion : le gmebaphone