Keyword(s):Interactivity , Digital Aesthetics , Hybrid Thinking , Discourse within Electroacoustic Music , Narrative
(Ideas in this article can be found developed and in paper format in Waters, S. 2000. Beyond the acousmatic: hybrid tendencies in electroacoustic music. Simon Emmerson, ed. Music, Electronic Media and Culture. Aldershot: Ashgate.)
This paper considers the social, discursive, aesthetic and semiotic implications within the context of a shift in paradigm away from the concerns of acousmatic music in an era characterised by the digital.
All references of the same author:
(English)Waters, Simon (1994). Timbre Composition: Ideology, Metaphor and Social Process
Waters, Simon (2000b). Beyond the Acousmatic: Hybrid Tendencies in Electroacoustic Music
Waters, Simon (2003). H-H-H-H-Hybrids
Waters, Simon (2006). Making the Archive and Archiving the Making: insights and outcomes from a major research project