Keyword(s):Aural Analysis , Acousmatic
In this article, the author offers his thoughts on the state of British acousmatic music in 2000. He exemplifies its strength, diversity, innovation and quality through a discussion of the work of several noted British electroacoustic composers.
All references of the same author:
(English)Young, John (1994). The Extended Environment
Young, John (1996). Imagining the Source: The Interplay of Realism and Abstraction in Electroacoustic Music
Young, John (2002a). The Interaction of Sound Identities in Electroacoustic Music
Young, John (2002b). Sju ... Who?
Young, John (2004). Sound Morphology and the Articulation of Structure in Electroacoustic Music
YOUNG, John (2007). Reflections on sound image design in electroacoustic music