Young, John


Sju ... Who?

Journal of Electroacoustic Music. Vol. 14. London: Sonic Arts Network: 36-42.

Language(s): English


Discourse within Electroacoustic Music Utterance Text-sound Composition


In this paper, the author discusses the motivations and techniques used in the creation of his electroacoustic work Sju (1999), which is based on recordings of a Swedish word that is pronounced in two distinctive ways.

All references of the same author:


Young, John (1994). The Extended Environment
Young, John (1996). Imagining the Source: The Interplay of Realism and Abstraction in Electroacoustic Music
Young, John (2000). Letting the Ordinary Shine Through: British Acousmatic Music
Young, John (2002a). The Interaction of Sound Identities in Electroacoustic Music
Young, John (2004). Sound Morphology and the Articulation of Structure in Electroacoustic Music
YOUNG, John (2007). Reflections on sound image design in electroacoustic music