Language(s): English

Keyword(s):

Electronic Music

Abstract:

In this article, the author pays tribute to Daphne Oram (1925-2003) a pioneer of electronic music in the UK, outlining the major contributions that she has made to electronic music and culture.

All references of the same author:

(Deutsch)

DAVIES, Hugh (1996). Elektroakustische Live-Performance. Zur Geschichte und Gegenwart des STEIM

(English)

Davies, Hugh (1964). A Discography of Electronic Music and Musique Concrète
Davies, Hugh (1966). A Discography of Electronic Music and Musique Concrète: Supplement
Davies, Hugh (1968). International Electronic Music Catalog
Davies, Hugh (1986). Storia ed evoluzione degli strumenti musicali elettronici (Historical evolution of electronic music instruments)
Davies, Hugh (1990). Instruments électroniques : classification et mécanismes
Davies, Hugh (1992). New Musical Instruments in the Computer Age: Amplified Performance Systems and Related Examples of Low-level Technology
Davies, Hugh (1996a). A History of Sampling
DAVIES, Hugh (1996b). Elektroakustische Live-Performance. Zur Geschichte und Gegenwart des STEIM (Live Electroacoustic Performance: On the history and current situation at STEIM)
Davies, Hugh (2001). The Preservation of Electronic Musical Instruments
Davies, Hugh (2001a). Gentle Fire: An Early Approach to Live Electronic Music

(Français)

Davies, Hugh (1990). Instruments électroniques : classification et mécanismes

(Italiano)

Davies, Hugh (1986). Storia ed evoluzione degli strumenti musicali elettronici