Keyword(s):Socio-Cultural Aspects of Electroacoustic Music , Electroacoustic Music
In this article, the author offers a critique of, and the reasons for what he sees as a growing ghettoisation and marginalisation of electroacoustic music in the early 1990s.
All references of the same author:
(English)Lewis, Andrew (1987). Motion and the Analysis of Electro-Acoustic Music: Denis Smalley's Vortex
Lewis, Andrew (1989). Amplitude and Frequency Slope Profiles in Denis Smalley's Pentes
Lewis, Andrew (1998). Francis Dhomont's Novars