Keyword(s):Immersive Environment , Socio-Cultural Aspects of Electroacoustic Music , Interactivity , Interdisciplinary Artistic Work
In this article, the author explores ways in which his art practice, creating Immersive Virtual Environment (IVE) installations, draws on and reflects attitudes and cultural predisposition within Australia.
All references of the same author:
(English)Paine, Garth (2002). Interactivity, Where to from here?
Paine, Garth (2003). Reeds: A responsive environmental installation
Paine, Garth (2004). Gesture and Musical Interaction: Interactive Engagement Through Dynamic Morphology
Paine, Garth (2005). Endangered Sounds: a sound project