Keyword(s):Cognitive Science , AI , Computer Music
In this article, the author uses research from neuroscience, cognitive psychology, and neo-Darwinism to argue that there are no objective aspects in music. Pointing out fundamental flaws in the ability of a computer to emulate the workings of the brain through Artificial Intelligence programming, he addresses cultural issues concerning the survival of computer music.
All references of the same author:
(English)Milicevic, Mladen (1996). The Impact of Fractals, Chaos, and Complexity Theory on Computer Music Composition
Milicevic, Mladen (1998). Deconstructing Musical Structure
Milicevic, Mladen (1999a). Aesthetics of Designing an Adaptive Fuzzy System for Evaluation of the Computer Music
Milicevic, Mladen (2001). Cyberspace Memes