Keyword(s):Perception , Phenomenology
In this article, the author examines the notion of an artistic law of beauty (aesthetics) determining the creation of music, and tackles the subject of sound through the observation of its reception by the senses - a phenomenological approach.
All references of the same author:
(English)Voegelin, Salomé (2002). The Anxiety of the Lonely Listener: Some Thoughts on the Production and Perception of Radio
Voegelin, Salomé (2004). How Can You Hear It When You Don't Know What You Are Listening For? - The Need For a Critical Context of Listening
Voegelin, Salomé (2006). Sonic memory material as ‘pathetic trigger'