Mathews, Max

1995

The Esthetic Situation and Actual View of Electroacoustic Music Performance

Bourges Academy: Aesthetic and Electroacoustic Music. Bourges: Acteon-Mnemosyne: 65-73.

Language(s): English,  French

Keyword(s):

Electroacoustic Devices Electroacoustic Instruments Interactivity Live Electronics

Abstract:

The author presents a history of electroacoustic performance and examples of limits imposed by “style”. He examines two software programs (Max, and the Conductor Program) and four system models (Appleton’s Synclavier, Boulez’ model for Repons, Risset’s Disklavier, and Dexter Morill’s system for Walden Nocturnes).

All references of the same author:

(English)

Mathews, Max (1975). L'ordinateur en tant qu'instrument de musique

(Français)

Mathews, Max (1975). L'ordinateur en tant qu'instrument de musique