Language(s): English,  French

Keyword(s):

Electroacoustic Devices ,  Electroacoustic Instruments ,  Interactivity ,  Live Electronics

Abstract:

The author presents a history of electroacoustic performance and examples of limits imposed by “style”. He examines two software programs (Max, and the Conductor Program) and four system models (Appleton’s Synclavier, Boulez’ model for Repons, Risset’s Disklavier, and Dexter Morill’s system for Walden Nocturnes).

All references of the same author:

(English)

Mathews, Max (1975). L'ordinateur en tant qu'instrument de musique

(Français)

Mathews, Max (1975). L'ordinateur en tant qu'instrument de musique