Weale, Rob

2007

Mapping perception across the communitive continuum as a prelude to analysis

In Proceedings of the 2007 Electroacoustic Music Studies Conference. Leicester, UK.

URL: http://www.ems-network.org/spip.php?article279

Language(s): English

Keyword(s):

Aural Analysis Analysis Dramaturgy of Electroacoustic Music Something to Hold on to Factor Listening Experience Intention and Reception Source Recognition Socio-Cultural Aspects of Electroacoustic Music Impact of Electroacoustic Music

Abstract:

In this paper, the author discusses what he sees as some of the key issues concerning the role of analysis in electroacoustic (E/A) music. This is followed by an explanation of the role that the Intention/Reception (I/R) method can play in the analysis of E/A music - the I/R method involves collecting, analysing and evaluating composer intention and listener response data. Finally, the author offers a brief overview of the initial stages of the latest phase of development of the I/R project.

All references of the same author:

(English)

Weale, Rob (2005a). The Intention/Reception Project: Investigating Composer Intention and Listener Response in Electroacoustic Compositions
Weale, Rob (2005b). The Intention/Reception Project: Investigating the Relationship Between Composer Intention and Listener Response in Electroacoustic Compositions
Weale, Rob (2006). Discovering How Accessible Electroacoustic Music Can Be: the Intention/Reception project