DI SCIPIO, Agostino

1991

Caos deterministico, composizione e sintesi del suono (Deterministic chaos, composition and souns synthesis)

Atti del IX Colloquio di Informatica Musicale: 337-350.

Language(s): Italian

Keyword(s):

Chaos Theory Formalism Granular Synthesis and Resynthesis

Abstract:

The author introduces the mathematical properties of non-linear dynamic systems. Two types of dynamic systems are described: ones with mono parametric iteration (principal phenomenon of bifurcation) and the ones that use double parameters (Hénon attractor). He then analyses his own piece Fractus, for viola and synthesised sound, that applies these principles.

Abstract translation(s):

(italiano)

DI SCIPIO, Agostino (1991). Caos deterministico, composizione e sintesi del suono

All references of the same author:

(English)

Di Scipio, Agostino (1994a). Formal Processes of Timbre Composition Challenging the Dualistic Paradigm of Computer Music: A Study in Composition Theory (II)
Di Scipio, Agostino (1994b). Micro-time Sonic Design and Timbre Formation
Di Scipio, Agostino (1995a). Inseparable Models of Materials and of Musical Design in Electroacoustic Music
Di Scipio, Agostino (1995b). Centrality of Techné for an Aesthetic Approach on Electroacoustic Music
Di Scipio, Agostino (1995c). On Different Approaches to Computer Music as Different Models of Compositional Design
DI SCIPIO, Agostino (1995d). Riflessioni sull'analisi della musica elettroacustica e informatica
Di Scipio, Agostino (1996). Interactive Composing with Granular Time-shifting of Sound
Di Scipio, Agostino (1997). The Problem of 2nd-order Sonorities in Xenakis' Electroacoustic Music
Di Scipio, Agostino (1998). Compositional Models in Xenakis's Electroacoustic Music
Di Scipio, Agostino (2000). An Analysis of Jean-Claude Risset's Contours
Di Scipio, Agostino (2001a). Clarification on Xenakis: The Cybernetics of Stochastic Music
DI SCIPIO, Agostino (2001b). Uno scenario post-digitale? Riflessioni ambivalenti sul suono in Internet (A post-digital scenario? Ambivalent thought on Internet sound)
DI SCIPIO, Agostino (2002). Tecnologia dell'esperienza musicale nel Novecento (The technology of musical experience in the 20th century)
Di Scipio, Agostino (2002a). A Story of Emergence and Dissolution: Analytical Sketches of Jean-Claude Risset's Contours
Di Scipio, Agostino (2002b). Systems of Embers, Dust, and Clouds: Observations after Xenakis and Brün
Di Scipio, Agostino (2003). ‘Sound is the Interface': From interactive to ecosystemic signal processing
Di Scipio, Agostino (2004). The Orchestra as a Resource for Electroacoustic Music: On some works by Iannis Xenakis and Paul Dolden

(Italiano)

DI SCIPIO, Agostino (1995d). Riflessioni sull'analisi della musica elettroacustica e informatica
DI SCIPIO, Agostino (2001b). Uno scenario post-digitale? Riflessioni ambivalenti sul suono in Internet
DI SCIPIO, Agostino (2002). Tecnologia dell'esperienza musicale nel Novecento