Keyword(s):Acoustic Space , Composed Space , Spatialisation
This article focuses on the architectural approach to composition in the works by Xenakis and Stockhausen. Despite their many differences, these composers considered the spatial dimension inner to sound as a fundamental dimension in the creative process. The most significant examples of this attention are the projects of the two World-Expo editions, where they put artistic, scientific and mathematical disciplines on the same level.
Russo, Marco (2002). Lo spazio come fonte di ispirazione nella musica del secondo '900
All references of the same author:
(English)Russo, Marco (2004). Virtual space and cinema: the front-back presentation of sound