Bayle, François

2007

Space, and more

Organised Sound: Vol. 12, No. 3. Cambridge: Cambridge University Press: 241-249.

URL: http://journals.cambridge.org/jid_OSO

Language(s): English

Keyword(s):

Acoustic Space Acousmographe Sound Image Acousmatic Composed Space

Abstract:

Among the questions regularly put to me, those that recur most often touch upon three aspects, three things to consider that are, truth to tell, unending within the domain of organised sounds. Those questions that take the lead are usually concerned with space – the representation of space as well as the production of space. Then come those that deal with listening, active or passive. Last are those relating to tools for making and for listening. Together, these approaches run through the stages that are very natural in position problematics: where, when, how, for whom, why? I would like, in formulating these repeated questions once more, to make myself re-orientate them in such a way to show that by bringing to bear forty years of experience, I have tried to reply to them as much through practice as through theory, putting forward the idea of a family of operational concepts linked together through the perceptual radical ‘acous’: acousmatic, acousmonium, acousmographe, acousmathèque.

All references of the same author:

(English)

Bayle, François (1972). Musique et expérience
Bayle, François (1976). Inter-dits
Bayle, François (1977). Support/Espace
Bayle, François (1986a). Écouter et comprendre
Bayle, François (1986b). À propos de l'acousmonium
Bayle, François (1989a). Image-of-sound, or i-sound: Metaphor/metaphorm
Bayle, François (1989b). Savoir-faire
Bayle, François (1990a). Pierre Schaeffer L'œuvre musicale
Bayle, François (1990b). Le futur antérieur ou origine et conséquences du 'concept-acous'
Bayle, François (1991). Mi-lieu
Bayle, François (1993). Musique acousmatique. Proposition... ...positions
Bayle, François (1994). L'espace (post-scriptum...)
Bayle, François (1995). Musique acousmatique. Diabolus in Musica ?
Bayle, François (1996). ... À propos du rôle de l'interprète dans la musique acousmatique
Bayle, François (1998). L'espace des sons et ses ''défaut''
Bayle, François (1998a). L'odyssée de l'espace
Bayle, François (1999a). Schaeffer phonogène
Bayle, François (1999b). Penser le son aujourd'hui
Bayle, François (2000). Principes d'acousmatique
Bayle, François (2003). Petit guide de mes images
Bayle, François (2006). Une logique de sensations

(Français)

Bayle, François (1972). Musique et expérience
Bayle, François (1976). Inter-dits
Bayle, François (1977). Support/Espace
Bayle, François (1986a). Écouter et comprendre
Bayle, François (1986b). À propos de l'acousmonium
Bayle, François (1989b). Savoir-faire
Bayle, François (1990a). Pierre Schaeffer L'œuvre musicale
Bayle, François (1990b). Le futur antérieur ou origine et conséquences du 'concept-acous'
Bayle, François (1991). Mi-lieu
Bayle, François (1993). Musique acousmatique. Proposition... ...positions
Bayle, François (1994). L'espace (post-scriptum...)
Bayle, François (1995). Musique acousmatique. Diabolus in Musica ?
Bayle, François (1996). ... À propos du rôle de l'interprète dans la musique acousmatique
Bayle, François (1998). L'espace des sons et ses ''défauts''
Bayle, François (1998a). L'odyssée de l'espace
Bayle, François (1999a). Schaeffer phonogène
Bayle, François (1999b). Penser le son aujourd'hui
Bayle, François (2000). Principes d'acousmatique
Bayle, François (2003). Petit guide de mes images
Bayle, François (2006). Une logique de sensations

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