Language(s): English

Keyword(s):

Musique Concrète ,  Electronic Music ,  Live Electronics

Abstract:

The author answers the question: “How, on the basis of relationship of suspicious/fascination, does Pierre Boulez approach the world of the machine?”. He analyses the relation between the composer and the machine in Deux études (1951-52), Poésie pour pouvoir (1958), Explosante-fixe (1971) and Répons (1981-...).