Language(s): English

Keyword(s):

Schaefferian Theory ,  Listening Experience ,  Listening Strategy ,  Reduced Listening ,  Surrogacy ,  Electroacoustic Music ,  Music Psychology

Abstract:

Denis Smalley explores the listening experience of electroacoustic music. His model is based on a synthesis of Schaeffer’s theory (reduced listening) and Schachtel’s autocentric mode (emotional responses).

All references of the same author:

(English)

Smalley, Denis (1982a). Problems of Materials and Structure in Electro-Acoustic Music (part 1)
Smalley, Denis (1982b). Problems of Materials and Structure in Electro-Acoustic Music (part 2)
Smalley, Denis (1986). Spectro-morphology and Structuring Processes
Smalley, Denis (1989). Pentes: A Conversation with Denis Smalley
Smalley, Denis (1991). Spatial Experience in Electro-acoustic Music
Smalley, Denis (1992). The Listening Imagination: Listening in the Electroacoustic Era
SMALLEY, Denis (1992a). Can electroacoustic music be analysed? (La musica elettroacustica può essere analizzata?)
Smalley, Denis (1993). Defining Transformations
Smalley, Denis (1994). Defining Timbre - Refining Timbre
Smalley, Denis (1995b). La spectromorphology: une explication des formes du son
Smalley, Denis (1996). La spettromorfologia: una spiegazione delle forme del suono.
Smalley, Denis (1997). Spectromorphology: Explaining sound-shapes
Smalley, Denis (1999). Établissement de cadres relationnels pour l'analyse de la musique postschaefferienne
Smalley, Denis (2007). Space-form and the acousmatic image

(Français)

Smalley, Denis (1995b). La spectromorphology : une explication des formes du son
Smalley, Denis (1999). Établissement de cadres relationnels pour l'analyse de la musique postschaefferienne

(Italiano)

SMALLEY, Denis (1992a). La musica elettroacustica può essere analizzata?