Language(s): English

Keyword(s):

Composed Space ,  Sound Transformation ,  Analysis ,  Listening Experience ,  Causality ,  Source Recognition ,  Electroacoustic Music

Abstract:

The author studies the virtual and surreal sound world of electroacoustic music. The composers create their sound worlds by:
 combining recognisable sounds which do not coexist in reality
 mixing recognisable sounds and synthetic sounds He analyses several works by Wishart, Smalley, Dhomont, Cousins, Parmegiani, and Lejeune.

All references of the same author:

(English)

Young, John (1994). The Extended Environment
Young, John (2000). Letting the Ordinary Shine Through: British Acousmatic Music
Young, John (2002a). The Interaction of Sound Identities in Electroacoustic Music
Young, John (2002b). Sju ... Who?
Young, John (2004). Sound Morphology and the Articulation of Structure in Electroacoustic Music
YOUNG, John (2007). Reflections on sound image design in electroacoustic music