URL: http://www.ina.fr/grm/acousmaline/polychromes/index.fr.html

Language(s): French

Media(s): Audio

Keyword(s):

Composed Space ,  Recording ,  Filter ,  Sound Transformation ,  Electroacoustic Instruments ,  Analysis ,  Computer Music ,  Electroacoustic Music

Abstract:

The author analyses links between this composer, his tools, and his historical significance. He quotes remarks by Edgar Varèse, Jean-Claude Risset, Christian Zanési, and Yann Geslin. He focuses his analysis on the work Sud (Jean-Claude Risset).

Abstract translation(s):

(français)

Cisinski, Michaël (2001). Le compositeur, l'outil et la trace historique