Keyword(s):Composed Space , Recording , Filter , Sound Transformation , Electroacoustic Instruments , Analysis , Computer Music , Electroacoustic Music
The author analyses links between this composer, his tools, and his historical significance. He quotes remarks by Edgar VarŤse, Jean-Claude Risset, Christian Zanťsi, and Yann Geslin. He focuses his analysis on the work Sud (Jean-Claude Risset).
Cisinski, MichaŽl (2001). Le compositeur, l'outil et la trace historique