Chadabe, Joel

1999a

The Performer is Us

Contemporary Music Review: Live Electronics, Vol. 18, No. 3. London: Harwood Academic Publishers: 25-30.

Language(s): English

Keyword(s):

Interactivity Computer Music Multimedia

Abstract:

The author discusses the concept of computer-aided performance in multimedia contexts: CD-ROM and multimedia systems exist which allow for members of the public to become performers. Joel Chadabe presents examples of multimedia works by Peter Gabriel, Laurie Spiegel and Warren Burt.

All references of the same author:

(English)

Chadabe, Joel (1972). Le principe du voltage-control et ses implications pour le compositeur
Chadabe, Joel (1975). The Voltage-Controlled Synthesizer
Chadabe, Joel (1981). Paths to a Point in a Musical Landscape
Chadabe, Joel (1983). Interactive Composing: An Overview
Chadabe, Joel (1984). Interactive Composing: An Overview
Chadabe, Joel (1996). The History of Electronic Music as a Reflection of Structural Paradigms
Chadabe, Joel (1997a). The Electronic Music Foundation
Chadabe, Joel (1997b). Electric Sound: The Past and Promise of Electronic Music
Chadabe, Joel (1999b). A Brief Overview of Otto Laske's Work
Chadabe, Joel (2000a). Devices I have Known and Loved
Chadabe, Joel (2000b). Remarks on Computer Music Culture
Chadabe, Joel (2001). Preserving Performances of Electronic Music
Chadabe, Joel (2002). The Limitations of Mapping as a Structural Descriptive in Electronic Instruments
Chadabe, Joel (2003). Where We're Going
Chadabe, Joel (2004a). Electronic Music and Life
Chadabe, Joel (2004b). Look Around and Get Engaged

(Français)

Chadabe, Joel (1972). Le principe du voltage-control et ses implications pour le compositeur