Keyword(s):Real-time , Computer Music , Electroacoustic Music , Mixed Work
The author explains the historic separation of instrumental (note) and electroacoustic music (sound). After this, he analyses their relationship in his writing methods in terms of the choice of material (notes and sounds) and its transformations, writing, real-time, the virtual score and experimentation.
Manoury, Philippe (1990). La note et le son : un carnet de bord
All references of the same author:
(English)Manoury, Philippe (1984). The Arrow of Time