Language(s): French

Keyword(s):

Real-time ,  Computer Music ,  Electroacoustic Music ,  Mixed Work

Abstract:

The author explains the historic separation of instrumental (note) and electroacoustic music (sound). After this, he analyses their relationship in his writing methods in terms of the choice of material (notes and sounds) and its transformations, writing, real-time, the virtual score and experimentation.

Abstract translation(s):

(français)

Manoury, Philippe (1990). La note et le son : un carnet de bord

All references of the same author:

(English)

Manoury, Philippe (1984). The Arrow of Time