Language(s): French

Keyword(s):

Sensor ,  Interactivity ,  Computer Music ,  Interdisciplinary Artistic Work ,  Live Electronics

Abstract:

The author presents a choreographic and live electronic work: Il y a ton pas, danse-poème électronique (the composer Anne Sedes uses sensors to capture the rhythm of dancers). She analyses the musical and artistic realisation, linking the approach with Stockhausen, Boulez and Xenakis’s work.

Abstract translation(s):

(français)

Légeret, Katia (2003). Interface danse/musique une poétique de l'énergie percussive