Language(s): French

Keyword(s):

Acousmatic ,  Audio-Visual Theory ,  Editing ,  Grammar ,  Causality ,  Semiotics

Abstract:

The composer links musical composition to the cinema. He explains how in his works the meaning is more important than the sound. After a long introduction, he examines various relationships between acousmatic music and cinema through this medium’s phases of planning, editing, and lighting.

Abstract translation(s):

(français)

Normandeau, Robert (1993). ... et vers un cinéma pour l'oreille

All references of the same author:

(English)

Normandeau, Robert (1991). L'espace en soi
Normandeau, Robert (2001). The Electroacoustic Situation in Canada
Normandeau, Robert (2002). Qu'est-ce concert?
Normandeau, Robert (2004). Le studio personnel, la véritable innovation du second cinquantenaire

(Français)

Normandeau, Robert (1991). L'espace en soi
Normandeau, Robert (2001). Situation de l'électroacoustique au Canada
Normandeau, Robert (2002). Qu'est-ce concert ?
Normandeau, Robert (2004). Le studio personnel, la véritable innovation du second cinquantenaire