Language(s): English

Keyword(s):

Music Education ,  Controller ,  Electroacoustic Instruments ,  Interactivity ,  Real-time ,  MIDI ,  Real-time Transformation ,  Spatialisation ,  Electroacoustic Music ,  Electronic Music ,  Mixed Work

Abstract:

The German composer speaks about six areas of electroacoustic performance practice:
 recording techniques as a part of composition with examples from Gesang der Jünglinge and Invisible Choir (extract of Thursday from his opera, Light)
 amplification techniques: stereophonic amplification (Kreuspiel, Mantra) and the new potential of sound projection (Monday from Light, Tuesday from Light)
 transformation techniques with examples from Mikrophonie I and Mixtur
 techniques of pre-formed (formalized) music with some examples from his electronic music
 electronic musical instruments: the use of synthesizer in Tuesday from Light
 combination of all electroacoustic possibilities in Octophony (extract from Tuesday from Light) and with special MIDI instruments In conclusion he approaches the subject of musician education with electronic technology.

All references of the same author:

(Deutsch)

Stockhausen, Karlheinz (1974). Die Zukunft der elektroakustischen Apparaturen in der Musik'. Zusammenfassung eines Vortrages auf der 9. Tonmeistertagung 1972 in Köln

(English)

Stockhausen, Karlheinz (1962). The Concept of Unity in Electronic Music
Stockhausen, Karlheinz (1974). Die Zukunft der elektroakustischen Apparaturen in der Musik (The future of electronic apparatus in music)
Stockhausen, Karlheinz (1988). Musique électronique et musique instrumentale

(Français)

Stockhausen, Karlheinz (1988). Musique électronique et musique instrumentale