Language(s): English

Keyword(s):

Analysis ,  Structural Analysis ,  Electroacoustic Music ,  Semiotics

Abstract:

In Moments of Laughter, a piece for tape and female voice, Hildegard Westerkamp explores sound making in childhood. The author analyses this work composed in nine movement. Each movement idem is presented with a description of sounds and structures.

All references of the same author:

(English)

McCartney, Andra (1995a). A Prelude to Ea Gender Issues
McCartney, Andra (1995b). The Ambiguous Relation (1/2)
McCartney, Andra (1995c). Inventing Images: Constructing and Contesting Gender in Thinking about Electroacoustic Music
McCartney, Andra (1996). The Ambiguous Relation (2/2)
McCartney, Andra (1998a). Soundwalk in the Park with Hildegard Westerkamp
McCartney, Andra (1998b). Where water meets
McCartney, Andra (2000a). Soundwalking Interactions
McCartney, Andra (2000c). Soundscape Composition and the Subversion of Electroacoustic Norms
McCartney, Andra (2000d). Sounding Places with Hildegard Westerkamp
McCartney, Andra (2002a). Alien Intimacies: Hearing science fiction narratives in Hildegard Westerkamp's Cricket Voice (or ‘I don't like the country, the crickets make me nervous')
McCartney, Andra (2002b). Sharing Experiences Towards the Possibility of an Electroacoustic Ecology
McCartney, Andra (2003). In and Out of the Sound Studio

(Français)

McCartney, Andra (1995a). Un prélude aux problématiques en éa
McCartney, Andra (1995b). Le Rapport Ambigu (1/2)
McCartney, Andra (1996). Le Rapport Inconnu
McCartney, Andra (1998b). Où l'eau rencontre