URL: http://journals.cambridge.org/jid_OSO

Language(s): English

Keyword(s):

Aural Analysis ,  Spectromorphology ,  Surrogacy

Abstract:

Assuming that perception works as a constant dialectic between sense-data and concept, this paper presents a perceptual analysis of J. C. Risset‘s Sud according to a conceptual framework based on a complementarity between intrinsic and extrinsic connotations in electroacoustic music.