Keyword(s):Vocoding , FFT
This article discusses the theoretical principles governing the short time Fourier transform (STFT) and its musical applications, using the CARL phase vocoder and the Composers’ Desktop Project (CDP) spectral transformations. This is accompanied by sound examples, including excerpts from pieces by the author.
All references of the same author:
(English)Fischman, Rajmil (1994a). Sound Processing in Los Dados Eternos
Fischman, Rajmil (1994b). Music for the Masses
Fischman, Rajmil (1997b). Analysis of Crosstalk: A work by Michael Vaughan
Fischman, Rajmil (1999). Score of Point-virgule (Electro-clip by Jean-François Denis)