URL: http://journals.cambridge.org/jid_OSO

Language(s): English

Keyword(s):

Spatialisation ,  Listening Strategy ,  Perception ,  Timbre

Abstract:

This article traces some of the author’s own explorations in the use of 3-space for musical composition, examines the limitations of basing structuring methodologies primarily on functional psychoacoustic studies of hearing, and suggests alternative approaches based on an understanding of 3-space from the work of the perceptual psychologist James Gibson.

All references of the same author:

(English)

Worrall, David (1996). Studies in Metamusical Methods for Sound and Image Composition