Keyword(s):Spatialisation , Listening Strategy , Perception , Timbre
This article traces some of the author’s own explorations in the use of 3-space for musical composition, examines the limitations of basing structuring methodologies primarily on functional psychoacoustic studies of hearing, and suggests alternative approaches based on an understanding of 3-space from the work of the perceptual psychologist James Gibson.
All references of the same author:
(English)Worrall, David (1996). Studies in Metamusical Methods for Sound and Image Composition