Miranda, Eduardo Reck

1998

The Role of Speech Synthesis in Requiem per un veu perdida

Organised Sound: Vol. 3, no. 3. Cambridge: Cambridge University Press: 235-240.

URL: http://journals.cambridge.org/jid_OSO

Language(s): English

Keyword(s):

Synthesis and Resynthesis Techniques Granular Synthesis and Resynthesis Physical Modelling Structure, Musical [Str]

Abstract:

Requiem per una veu perduda (Requiem for a lost voice in Catalan) is a piece for mezzo-soprano with on-stage effects processing and recorded electroacoustic material. The electroacoustic material consists mainly of synthesised vocal sounds and the pitches for the mezzo-soprano part were defined based upon the functioning of the speech synthesis methods used. This paper outlines the basics of one of the speech synthesis methods used to compose the piece and introduces the scheme for the definition of the pitch material for the singing. The relationship between the speech synthesis methods and the pitch material establishes the structural foundations of the piece.

All references of the same author:

(English)

Miranda, Eduardo Reck (1994). From Symbols to Sound: AI-based Investigation of Sound Synthesis
Miranda, Eduardo Reck (1994). The Role of Artificial Intelligence in Computer Aided Sound Composition
Miranda, Eduardo Reck (1999a). De los orígenes de la música a la vida artificial (From the origins of music to Artificial Life)
Miranda, Eduardo Reck (1999c). Music, Machines, Intelligence and the Brain
Miranda, Eduardo Reck (2001). Composers and Computer Music Technology in Brazil
Miranda, Eduardo Reck (2005). Artificial Phonology: Disembodied Humanoid Voice for Composing Music with Surreal Languages

(Español)

Miranda, Eduardo Reck (1999). De los orígenes de la música a la vida artificial