URL: http://journals.cambridge.org/jid_OSO

Language(s): English

Keyword(s):

Interactivity ,  Socio-Cultural Aspects of Electroacoustic Music ,  Electronica ,  Live Electronics ,  Sound Art

Abstract:

A survey is presented of developments in recent Western Australian electronic music, focusing on the geographical influence on local composers’ work. The article follows specific cases of practitioners in the fields of Sound Art (Alan Lamb and Hannah Clemen), Live Electronics (Cathie Travers and the electronic music quartet Magnetic Pig), Interactive Electronics (Jonathan Mustard and Lindsay Vickery) and Noise/Lo Fi Electronics (Cat Hope and Lux Mammoth).