Keyword(s):Soundscape Composition , Recording , Convolution , Spectral Shaping , Vocoding , Gesture , Multimedia
This article traces the audio production and soundscape composition for a multimedia work for any solo instrument, colour video, and digital sound. There is a report on stereo recording techniques, the sounds that were gathered, and the sounds that were selected as source material. A discussion of philosophical and aesthetic considerations precedes a detailed explanation of the digital processing and composing methods.
All references of the same author:
(English)Weidenaar, Reynold (1995). Magic Music from the Telharmonium