Chadabe, Joel

2004a

Electronic Music and Life

Organised Sound: Vol. 9 no. 1. Cambridge: Cambridge University Press: 3-6.

URL: http://journals.cambridge.org/jid_OSO

Language(s): English

Keyword(s):

Interactivity Socio-Cultural Aspects of Electroacoustic Music Impact of Electroacoustic Music History of Electroacoustic Music

Abstract:

In the context of evolving paradigms, this article asks: Where have we come from? Where are we now? And where are we going? And it proposes an answer to those questions that treats the structures and processes of electroacoustic music as an integrated aspect of our lives.

All references of the same author:

(English)

Chadabe, Joel (1972). Le principe du voltage-control et ses implications pour le compositeur
Chadabe, Joel (1975). The Voltage-Controlled Synthesizer
Chadabe, Joel (1981). Paths to a Point in a Musical Landscape
Chadabe, Joel (1983). Interactive Composing: An Overview
Chadabe, Joel (1984). Interactive Composing: An Overview
Chadabe, Joel (1996). The History of Electronic Music as a Reflection of Structural Paradigms
Chadabe, Joel (1997a). The Electronic Music Foundation
Chadabe, Joel (1997b). Electric Sound: The Past and Promise of Electronic Music
Chadabe, Joel (1999a). The Performer is Us
Chadabe, Joel (1999b). A Brief Overview of Otto Laske's Work
Chadabe, Joel (2000a). Devices I have Known and Loved
Chadabe, Joel (2000b). Remarks on Computer Music Culture
Chadabe, Joel (2001). Preserving Performances of Electronic Music
Chadabe, Joel (2002). The Limitations of Mapping as a Structural Descriptive in Electronic Instruments
Chadabe, Joel (2003). Where We're Going
Chadabe, Joel (2004b). Look Around and Get Engaged

(Français)

Chadabe, Joel (1972). Le principe du voltage-control et ses implications pour le compositeur