Bossis, Bruno

2004

Reflections on the Analysis of Artificial Vocality: Representations, Tools and Prospective

Organised Sound: Vol. 9 no. 1. Cambridge: Cambridge University Press: 91-98.

URL: http://journals.cambridge.org/jid_OSO

Language(s): English

Keyword(s):

Classification of Sound Aural Analysis Spectral Analysis Utterance

Abstract:

Initially a result of talking heads, followed by the arrival of telephony and the gramophone, the use of artificial vocality within musical composition is becoming more and more common as different laboratories acquire devices enabling the manipulation of sound. Following Pierre Schaeffer’s first experiments in Paris, many composers became interested in the expressive resources of the mechanical voice, the results of which are now present in a large corpus of electroacoustic works. By its very nature, artificial vocality establishes a new link between the vocal quality of a sound event (its vocality) and technology (its artificiality) within this type of music. How then, can the musicologist study artificial vocality and the works in which it is used? Which tools should be used? What makes the analysis of artificial vocality so specific? Is it possible to create new tools for the analysis of artificial vocality within electroacoustic music?

All references of the same author:

(English)

Bossis, Bruno (2002a). La vocalité artificielle : un portrait en musique
Bossis, Bruno (2002b). Karlheinz Stockhausen
Bossis, Bruno (2003). Practical seminar : Creating a simple electroacoustic piece in easy stages
Bossis, Bruno (2004a). Mortuos Plango, Vivos Voco de Jonathan Harvey ou le miroir de la spiritualité
Bossis, Bruno (2005a). Stria de John Chowning ou l'oxymoron musical: du nombre d'or comme poétique
Bossis, Bruno (2005b). Phoné
Bossis, Bruno (2005c). La voix et la machine. La vocalité artificielle dans la musique contemporaine
Bossis, Bruno (2005d). L'intervocalité ou les avatars de la voix dans le matériau sonore
Bossis, Bruno (2006). The Analysis of Electroacoustic Music: from sources to invariants

(Français)

Bossis, Bruno (2002a). La vocalité artificielle : un portrait en musique
Bossis, Bruno (2002b). Karlheinz Stockhausen
Bossis, Bruno (2003). Séminaire pratique : Les étapes d'une création électroacoustique simple
Bossis, Bruno (2003a). Introduction à l'histoire et à l'esthétique des musiques électroacoustiques
Bossis, Bruno (2004a). Mortuos Plango, Vivos Voco de Jonathan Harvey ou le miroir de la spiritualité
Bossis, Bruno (2005). L'intervocalité ou les avatars de la voix dans le matériau sonore
Bossis, Bruno (2005a). Stria de John Chowning ou l'oxymoron musical : du nombre d'or comme poétique
Bossis, Bruno (2005b). Phoné
Bossis, Bruno (2005c). La voix et la machine. La vocalité artificielle dans la musique contemporaine

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