McCartney, Andra

1995b

Le Rapport Ambigu (1/2)

Contact !, vol. 9, no. 1. Montréal : CEC.

URL: http://cec.concordia.ca/contact/contact9107.html

Language(s): anglais ,  French

Keyword(s):

Aspects socioculturels de la musique électroacoustique

Musique électroacoustique

Abstract:

L'auteur a rencontré 7 compositrices à Toronto et Vancouver afin d'étudier les relations entre les femmes et la technologie. Pour chacune elles, elle présente leur parcours musical, la manière dont elles parlent des technologies analogiques et numériques, du rôle de l'ordinateur et du problème du sexisme.

La partie suivante de cet article est Le rapport inconnu.

Abstract translation(s): (English)

McCartney, Andra (1995b). The Ambiguous Relation (1/2)

All references of the same author:

(English)

McCartney, Andra (1995a). A Prelude to Ea Gender Issues
McCartney, Andra (1995c). Inventing Images: Constructing and Contesting Gender in Thinking about Electroacoustic Music
McCartney, Andra (1996). The Ambiguous Relation (2/2)
McCartney, Andra (1998a). Soundwalk in the Park with Hildegard Westerkamp
McCartney, Andra (1998b). Where water meets
McCartney, Andra (2000a). Soundwalking Interactions
McCartney, Andra (2000b). Hildegard Westerkamp's Moments of Laughter: Recording Childhood, Performing Motherhood, Refusing to Shup Up, and Laughing
McCartney, Andra (2000c). Soundscape Composition and the Subversion of Electroacoustic Norms
McCartney, Andra (2000d). Sounding Places with Hildegard Westerkamp
McCartney, Andra (2002a). Alien Intimacies: Hearing science fiction narratives in Hildegard Westerkamp's Cricket Voice (or ‘I don't like the country, the crickets make me nervous')
McCartney, Andra (2002b). Sharing Experiences Towards the Possibility of an Electroacoustic Ecology
McCartney, Andra (2003). In and Out of the Sound Studio

(Français)

McCartney, Andra (1995a). Un prélude aux problématiques en éa
McCartney, Andra (1996). Le Rapport Inconnu
McCartney, Andra (1998b). Où l'eau rencontre

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